“The real voyage of discovery consists not in seeking new landscapes, but in having new eyes”– Marcel Proust
For some reason we instinctively trust maps. They provide a sense of familiarity to the unknown and are seemingly trustworthy and reassuring that we are taking the right path…or that we ultimately know where we are heading. Today more than ever, we rely on maps to help us plan and navigate our daily lives. The GPS- enabled smartphone has become an essential part of modern existence, supporting a universal fast paced world where time is a valued commodity. Consider how chaotic and haphazard a life without direction would be, how much time would be wasted. Maps help navigate us into making better use of those precious hours and minutes.
Maps go way back. We’ve seen beautifully penned and coloured old maps where the countries are odd shapes and sizes— perhaps with no America or New Zealand because they hadn’t yet been discovered. There has always been a need to map out the world. To help us understand where we are in relation to other people or places, physically and culturally. Our sense of home is based on our mental map of the world as we know it, with us at the centre. Today, despite all the modern technology, the emotional need to know where we are and chart our everyday rituals and routine remains as meaningful as it did for those early explorers.
Part of the charm of the maps of old was their sense of history and adventure. Somehow, maps allow you to venture farther than you ever thought possible. The adventure of being original and defining our own style and sense of self needs supportive direction. In this way, mapping still revolves around the joy of discovery, about inviting your dreams into reality.
A map is your compass—in both life and design. It allows you to make note of a point of reference for your ideas and then expand them into other areas. It offers you the freedom to self-navigate, knowing that you can lose yourself in exploration, while being safe in the knowledge that you are tethered and able to find your way back to home base at any time. The same is true when you embark on your journey of discovering your personal style, and esthetic sensabilities.
Maps also remind you that there is more than one route to any destination. We’ve all heard the expression: “life is more about the journey than the destination” — and with design, that journey is one that should force you to explore new resources, or move into new arenas in an organic way. The more layered and complex the path becomes, the more options will inevitably present themselves. So trusting one’s intuition is essential when presented with a fork in the road.
“Utilizing a mapping process allows you to broaden your view and gain the confidence you need to tap into your creativity with confidence.”
At its simplest level, mapping allows us to take a bird’s eye view of any project. A “you are here” starting point that offers you an overview perspective to see how a plethora of elements can be woven together to form a cohesive picture. Sometimes, I like to think of myself as a circus performer, spinning an array of plates around and around atop perilously long poles. These performers must be hyper aware of every individual plate’s speed and momentum in order to prevent everything from literally crashing to the ground. That’s how it can feel when monitoring the numerous overlapping elements of any design project, the mapping technique offers a way of staying on top of every situation and keeping those plates spinning.
Maps give us an all-important overview that helps make a project seem more manageable. Design projects often have a way of making you feel overwhelmed before you even begin, as you start to compile an infinite “to do” list. Your map also allows you to “zoom in and out” on the project as a whole. Zooming in allows us to hone in on the finer details, while zooming out allows us to examine the bigger picture at any time. It is always important to keep looking at both to foresee what lies ahead — truly one of the great benefits of mapping.
I also work specifically on colour maps as the beginning stage of colour selecting. Colour is the starting point for me on all my projects, the discovery of the general palette and its complexities. It is a more inspiring and practical way to select and group the colors and chart their relationships allowing all the spaces to connect and flow.
“Mapping enables me to develop a design experience; it provides an overview of the spaces so that I can see how the colour threads weave between them in a mindful, orchestrated manner.”
This mapping method is a way of brainstorming and recording important details and information in a colourful and creative way. A freestyle storyboard, that is the whole picture of every thought, every idea, brainwave mental image and realization I have. Think of the all-too-common experience of having had a wonderful dream that you are certain you’ll remember — only to have every last remnant of that dream evaporate and leave you wondering how you could have lost such a memorable thought. Mapping enables you to capture those ideas in the same way you might record dreams in a journal — it keeps a record of those fleeting but often intuitive notions before they disappear into the ether.
“Maps help to show you where you are, but a home is about developing who you are.”
I am a highly visual person, (compensates for my dyslexia!) so for me, connecting a subject with an image helps lock that idea in my memory. Sometimes on those inevitable complicated days, when it feels like nothing is working, having a map allows me to switch gears and move into another area, yet know that I am still heading in the right direction.
Mapping is a visual tool that you can expand continuously without upsetting any order of sequence that contains all the information I want in a personal, functional and artistic visual image. It’s a way to help us chart uniquely personal home stories and create decor and colour schemes that resonate with our home’s ultimate purpose and lifestyle choices.
There is something undeniably glamorous about a minimalist stance — the balancing act of reduction; the idea of “less is more”. But to eclipse color and blanket everything with black holds a magic of its own. Currently, I am experiencing a great sense of relief and freedom with this intentional choice and, for the first time, refusing to get caught up in the drama and complexity that comes with layering color and forming harmonious, complimentary color palettes. As much as I love, adore and appreciate color — and its walk before me every minute of my day — there is something currently refreshing and appealing in the choice to remove it all and surround myself with black, and the many discovering shades thereof. I see that I have always underestimated the value of black as an exclusive choice, perhaps fearing that this strikingly dramatic solo player might possibly overplay its hand.
Experimenting with varying shades of black.
For me, black has always played the supporting role in a production. Though a valued and highly regarded team player in my cast of colour, it was never center stage. However, while walking this path of new discovery (also partly inspired by the purchase of my new home that begs for the unusual), I realise that black needs no partners; it has a mysterious and secretive world all of its own. It contains and absorbs all colour.
This black gloss powder room delivers the drama.
Many of you stand alone in the darkness, with the self-bravery and courage to venture out into this world. For me, I am faced with my memory and fear of dark lake waters and being told to ‘jump in’. They say the dark waters represent the unconscious mind and your fullest potential, which especially at a young age are unknown and intimidating.
I’m inspired by the “dark side” of my friend, London-based stylist, retailer and designer Abigail Ahern
a who embraces the dark colors and adventurous interiors.
Ahern’s signature colour palette is an array of intoxicating, dark, inky “bottom of the lake” hues.
As I open myself up to black in its quiet, reflective solitude, I am learning to focus on its nurturing qualities – the richness of good soil, the lone flight of a raven across a grey misted winter sky, the surface of a long road that supports me each day in travel.
In my design, black supports and almost demands a lack of clutter and the introduction of furnishings and art that allows these pieces to shine bright like stars in the darkness.
And, I confess to going to personal extremes in my new-found respect of black by eliminating the flavoured creamers in my coffee that lined the refrigerator door. I am now a coffee-drinking purist with no ten word order for my morning java.
Taking my new affinity toward black personally by removing the creamer from my coffee!
Today, there are so many variations of the standard black-black that instead of feeling mired in the darkness, they highlight the subtle undertones: bruised blue-black, deep amazon green-blacks, black with a warm red or umber influence that looks like dark roasted coffee beans — all rich and intoxicating.
C2’s line of “near blacks” represents a full range of the dark side with colors like Aperture, Stout and Baritone. The saturation of C2’s finely ground pigments provides a “black” with undertones of dark greens and blues that have much higher resolution and an intense depth.
The eternal classic pairing of black and white (featured: C2’s Aperture + Architectural White)
Embracing black is a process that I welcome and embrace, even knowing the challenges it poses. On a recent design collaboration for a public Buffalo Showhouse event, I used my new ally partnered simply with white. The classic combination was chic, classic and sophisticated. I partnered with Traci Ackerman of Red Disc Design and created a schematic around her Burchfield Penney wallpaper launch with the ‘Flowers at Night’ wallpaper.
With the historic 1921 design by Burchfield Penney we selected a contemporary C2 color palette of esoteric midnight black – Aperture, with a calibrated measure of Seraph – a soft blue grey tucked into window niches and the hallway.
The black and white schematic navigated me into a more minimalist aesthetic, which, given that I have moved home four times in the past 19 months, definitely has its pluses. Everything becomes so punctuated against a dark background — and needs careful curation. It is a more definite and orchestrated production in furnishing the space with a need to view and understand all the nuances and subtleties of light, texture and the combinations of finishes. The identity of the space becomes a place for self reflection and peace for me.
How long this will last? I have no idea. The beauty of our homes is that they allow us to create a refuge that represents that particular chapter of our lives, and can change just as easily with the ebb and flow of time.For now, I’m enjoying and embracing “the dark side” for now, and all the teachings that came with this new direction.
It’s always fun to pop into the paint store and check out the latest color trends, imaging the magical transformation a new paint color creates. There is no other tool in the designer’s kit that brings a bigger bang for the design buck than fresh paint.
There’s nothing worse than a near-miss when it comes to color. Sure, the all-out color disaster would qualify, but how often does that happen with paint? Not nearly as often as those near-misses. We see them often.
To keep you from heading towards disaster, keep the following tips in minds as you dream of stunning new color…
When choosing paint color, always try before you buy
Top 10 Tricks the Pros Use When Choosing Color:
- Do not choose your color in the paint store without taking it home for a test run.
- Pick up a wet paint sample and a mini roller (foam brushes don’t lay enough paint for an accurate color reading).
- Paint a minimum sample size on your wall that’s at least 24” x 24”. Bigger is always better.
- Test your color in three areas: in the corner, the wall opposite the largest window and the window wall itself (this way you can see the color on the lightest wall, darkest wall, while the corner will show you the most intensified color).
- The best time of day to choose colors is between 10am to 2pm – when the sun is highest in the sky.
- Take step #5 to heart, but make sure to analyze your color with your morning coffee and with your evening cocktails. Your color will look different during each time of day.
- Color is all about relationships. When it comes to choosing paint, make sure you have assembled all the important elements that will be in the room; sofa, carpet and tile, cabinetry, etc. The color of your paint is a lot easier to adjust than anything else in a design scheme (and even easier if you haven’t painted yet!)
- When comparing more than one color, make sure you can view your samples individually, otherwise the different colors will influence each other.
- Consider using a color professional. This is what they do, and you can save a lot of time and effort by heading in the right direction from the beginning.
- Give yourself enough time to find your perfect color. Taking your time minimizes the stress of making the ‘right’ decision, and you can make sure you’ve got it nailed down before the painter gets rolling!
Consider hiring a professional color expert. Here, interior designer Paula McHugh is working with Daly’s Dan Cookston.
Did you ever walk into a room and feel instantly calm? Often times it’s more than Yanni on repeat that generates that sense of calm. Much of that feeling is attributed to the paint color they chose, and more specifically the undertone of the paint color they chose.
When discussing paint color, we usually think of how the shade will look in a particular room. Did you know that color can also affect the way we feel? The philosophy of color explains how color is directly tied to our emotions. Everyone understands what it means to be “red with anger”, “green with envy”, or what it is to “feel the blues”. When it comes to color for your home, you can control how your home ‘feels’ by the artful – and strategic – use of color.
Color is connected to the light spectrum, and therefore affects our bodies physically, even when our eyes are closed. For example, you could walk into a freshly painted white room and feel how cold it is, but enter a different white room and it might feel fresh and lively instead. Much of this is accomplished by the undertones and formulation of the color itself. That’s why full-spectrum paints are so compelling.
Full-spectrum paints, like every color in the C2 Paint palette, are formulated using multiple pigments that represent more of the color wheel than traditional paint formulas. Additionally, no C2 Paint color uses any black pigment in their color recipes, so you never have a color that looks lifeless or dull. The beauty of full-spectrum colors is that regardless of the current light condition, the paint color interacts with light in a compelling, luminous way.
Beautiful full spectrum colorants
Combining full-spectrum paints and armed with a little knowledge about specific colors and how they make you feel, you can create an environment that really makes you feel good. Really good.
Here is a brief explanation of each color and how it affects you:
Yellow – It’s virtually impossible to be cranky in a yellow room. Using yellow, anything from palest creams to deepest golds, is like capturing the sun in a jar. Yellow is an energetic color, so use it where you want to bump up the joy.
Lightning Bug, BD-71
Orange – If you’re looking to stimulate the appetite and add spice, orange is the perfect choice. It also symbolizes change when it’s bright and lively, and represents stability when muted and quiet. In design, energetic orange is a great color to excitement to a neutral space.
Red – Ready to romp? Yup, forget those 50 Shades and use red instead. Red raises your heart rate and time passes in a blur. Take it a little more orange and it’s the perfect color to increase your appetite.
Plum Tomato, BD-62
Purple – Interestingly, purple is a combination of hot to-trot-red and cooler-than-cool blue, so it brings both elements to the table. Purple can make your feel very meditative and intellectual or vivacious and royal.
Blue – One of the most popular and reassuring color used in design, blue communicates stability and safety, as evidenced on this chic office wall.
Espionage, C2-742; Whistler White (ceiling, walls, trim), C2-756
Green – If you want to create a soothing sense of calm, green is your hue. Soft colors, like green sea glass all the way to rich, deep emeralds and olives; green is a great choice.
While still popular, the softer tones that headlined seasons past are moving toward more adventurous colors in deep and mid tones. Reflective of a strong desire for confidence and stability, blues are the lead trend for fall 2016 – ranging from light, milky tones to more robust, stately hues. We anticipate one of the most popular being deep, near black blues (like Espionage, C2-742 and Brigand, C2-757). Other more vibrant colors like emerald greens, green-based yellows and purples are also becoming more popular, while earth tones remain a steady favorite.
Watch the video of our fall C2 colors below!
Another current trend that is growing is the “finish of the moment” – gloss. Using this beautifully reflective sheen with deep tones on walls results in a high fashion, high design feel. It’s also being used more regularly on ceilings to create polish, interest and a touch of glamour.
Tell us what color and design trends are inspiring you this season!